August 25th 2018


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Articles from this issue:

COVER STORY Current policies leave farmers high and dry in drought

CANBERRA OBSERVED Captain and Lieutenant's $444 million munificence

MEDICAL ETHICS Changes to AHPRA's code of conduct would gag doctors

FOREIGN AFFAIRS Trump delivers for U.S. economy and workers

CHILDREN AND SOCIETY Treating depressed children: How will history judge us?

PRIVACY Big Brother is marketing you

THE FAMILY Humanae Vitae: a prophetic document at 50

SOCIETY AND MORES Novel features of child sexual abuse in our time

EUTHANASIA International expert emphasises palliative care

BIOGRAPHY The trouble with Harry (Freame) is that we've forgotten him

OPINION Just asking ... sauce for the goose ...?

HISTORY Christianity has died. Agreed, and yet ...

MILITARY HISTORY The volunteering spirit proves best in the test

HUMOUR

MUSIC Chilly exposure: The sound and the fury

CINEMA Mission Impossible: Fallout: Ethan Hunt, knight errant

BOOK REVIEW A good diagnosis enables the cure

BOOK REVIEW End of the American empire?

LETTERS

POETRY

Books promotion page

Notes on the Death of Culture: Essays on Spectacle and Society

Mario Vargas Llosa

$35.00


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(Faber and Faber, London, 2015)
Hardcover: 227 pages
ISBN: 9780571300549
Price: AUD$35.00

 

Book description

The new essay collection by the Nobel Prize-winning Peruvian novelist and social critic.

In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation – penned by none other than Nobel winner Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics at work today.

Taking his cues from T.S. Eliot – whose treatise Notes Towards the Definition of Culture is a touchstone precisely because the culture Eliot aimed to describe has since vanished – Vargas Llosa traces a decline whose ill effects have only just begun to be felt. He mourns, in particular, the figure of the intellectual: for most of the 20th century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate.

But Vargas Llosa stubbornly refuses to fade into the background. He is not content to merely sign a petition; he will not bite his tongue but provides an impassioned and essential critique of our time and culture.

About the author

Mario Vargas Llosa was born in Peru in 1936. He is the author of some of the last half-century's most important novels, including The War of the End of the World, The Feast of the Goat, Aunt Julia and the Scriptwriter and Conversation in the Cathedral. In 2010 he was awarded the Nobel Prize in Literature.


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