December 15th 2018


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Articles from this issue:

COVER STORY The Christ child: a life lived for the whole world

WATER RESOURCES Murray-Darling management delivers the worst of both worlds

CANBERRA OBSERVED Libs fish around for explanations

ASIAN AFFAIRS Taiwanese agree to stick with nuclear power

EDUCATION In support of NAPLAN

VICTORIAN ELECTION Coalition collapse

ECONOMICS AND SOCIETY Mondragon Corporation: humanity at work

BREXIT December 12: D-Day for Britain's EU vote

EUTHANASIA WA Government ignores objections and lessons

TAIWAN Referendum stems homosexual tide

INTERNATIONAL AFFAIRS Free trade and the WTO in the Trump era

MUSIC Teacher teachers: The jarring note in music courses

CLASSIC CINEMA The Adventures of Robin Hood: The one and only

BOOK REVIEW A triumph of determination

BOOK REVIEW An escape from futility and addiction

POETRY

LETTERS

HIGHER EDUCATION Massification: it's the name of the game

Books promotion page

Notes on the Death of Culture: Essays on Spectacle and Society

Mario Vargas Llosa

$35.00


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(Faber and Faber, London, 2015)
Hardcover: 227 pages
ISBN: 9780571300549
Price: AUD$35.00

 

Book description

The new essay collection by the Nobel Prize-winning Peruvian novelist and social critic.

In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation – penned by none other than Nobel winner Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics at work today.

Taking his cues from T.S. Eliot – whose treatise Notes Towards the Definition of Culture is a touchstone precisely because the culture Eliot aimed to describe has since vanished – Vargas Llosa traces a decline whose ill effects have only just begun to be felt. He mourns, in particular, the figure of the intellectual: for most of the 20th century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate.

But Vargas Llosa stubbornly refuses to fade into the background. He is not content to merely sign a petition; he will not bite his tongue but provides an impassioned and essential critique of our time and culture.

About the author

Mario Vargas Llosa was born in Peru in 1936. He is the author of some of the last half-century's most important novels, including The War of the End of the World, The Feast of the Goat, Aunt Julia and the Scriptwriter and Conversation in the Cathedral. In 2010 he was awarded the Nobel Prize in Literature.


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