January 25th 2020


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Articles from this issue:

COVER STORY Wildfires: Lessons from the past not yet learnt

EDITORIAL America 'resets' foreign policy on China and Russia

CANBERRA OBSERVED After the fires, we still need an economy and to power it

GENDER POLITICS In trans Newspeak, parental consent is a 'hurdle'

REFLECTION Conjugal honour: Love of husband and wife joined together in pure intimacy

LIFE ISSUES Pro-lifers punished for exposing baby harvesting

LAW AND SOCIETY Cardinal Pell and the Appeal Court judges

LITERATURE AND SOCIETY The poetry of Distributism

AUSTRALIAN HISTORY Botany Bay: Always more than a dumping ground

INTERNATIONAL AFFAIRS Finally getting Brexit done

HUMOUR The MacStuttles probe

MUSIC From retch to wretched

CINEMA Three times the bravura: 1917, The Gentlemen, Shaun the Sheep: Farmageddon

BOOK REVIEW The contradictions of the dominant ideology

BOOK REVIEW Novel celebrates inventor of literary fairytales

POETRY

LETTERS

HUMAN RIGHTS A Magnitsky-style law for Australia?

Books promotion page

1966:
The Year the Decade Exploded

Jon Savage

$49.99


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Book description

The pop world accelerated and broke through the sound barrier in 1966. In America, in London, in Amsterdam, in Paris, revolutionary ideas slow-cooking since the late '50s reached boiling point. In the worlds of pop, pop art, fashion and radical politics — often fueled by perception-enhancing substances and literature — the “Sixties”, as we have come to know them, hit their modernist peak. A unique chemistry of ideas, substances, freedom of expression and dialogue across pop cultural continents created a landscape of immense and eventually shattering creativity. After 1966 nothing in the pop world would ever be the same. The seven-inch single outsold the long-player for the final time. It was the year in which the everlasting and transient pop moment would burst forth in its most articulate, instinctive and radical way.

Jon Savage's 1966 is a monument to the year that shaped the pop future of the balance of the century. Exploring canonical artists like the Beatles, the Byrds, Velvet Underground, the Who and the Kinks, 1966 also goes much deeper into the social and cultural heart of the decade through unique archival primary sources.

About the author

Jon Savage is the author of England's Dreaming: Sex pistols and Punk Rock and Teenage: The Creation of Youth, 1875–1945. He has written sleeves notes for Wire, St Etienne and the Pet Shop Boys, among others.


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COVER STORY Wildfires: Lessons from the past not yet learnt

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